Daisy Mulan began with a single idea at a workbench — that the bag you carry every day should be the one that lasts longest, not the one that wears out first. What started as a small studio of pattern cutters and leatherworkers grew into the workshop it is today.
Every design still starts the same way. It is drawn by hand and made up in calico before a hide is cut, then stitched and finished at the bench rather than pushed through a production line. That is slower, and it means we release far less than we could — but no bag leaves the studio without having been carried by the person who made it.
The same patience decides what we will and will not work with: full-grain hides from tanneries we can name, solid hardware rather than plated pot metal, and linings you can actually see into. We would rather explain why a bag takes longer than quietly compromise on the part of it you cannot see.
It also shapes how we build. Straps, zips and linings are made to be replaced, because a bag that cannot be repaired is not really an investment — it is just an expensive purchase.
“I wanted to make bags that look better in year five than they did in week one. Everything we release is something I would carry every day myself.”